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Contributing to climate goals

Art on Climate インターナショナル・イラストレーション・コンテスト

Art on Climateインターナショナル・イラストレーション・コンテストは、無事終了いたしました。

11週間で全世界から3,300点以上のご応募がありましたことを心より御礼申し上げます。

「作品の妥当性と芸術性」「大会のテーマとの関連性」「技術力」「創造的な表現力」を選考基準として、受賞作品を選定させていただきました。

受賞作品と受賞者のお名前はオンライン展示会にてご紹介しています。画像をクリックすると詳細が表示されます。（英語のみでのご紹介となります）

イラストレーションカテゴリー

優勝

Unjust capitalism involves those who pursue wealth at the cost of environmental destruction. They wear masks that present them as cheerful, compassionate and environmentally conscious, while seeking the cleanest air, the cleanest environment and the finest plant, animal and aquatic life exclusively for themselves. Although the world faces the growing threat of pollution, these masked figures continue to seek the best living conditions and the finest climate solely for their own benefit.

PARISA RASOOLI
Unjust capitalism involves those who pursue wealth at the cost of environmental destruction. They wear masks that present them as cheerful, compassionate and environmentally conscious, while seeking the cleanest air, the cleanest environment and the finest plant, animal and aquatic life exclusively for themselves. Although the world faces the growing threat of pollution, these masked figures continue to seek the best living conditions and the finest climate solely for their own benefit.

PARISA RASOOLI

2位

Before It Falls
Every falling tile pulls an entire world down with it: a glacier, a forest, a wetland alive with frogs and dragonflies. Ecosystems are not isolated elements, but fragile balances defined by critical thresholds. Once these thresholds are crossed, they can trigger an irreversible chain of collapse. It was the hand of man that set this fall in motion. Yet among the wavering tiles, other hands hold, plant and rebuild—none acting alone. Those who triggered the collapse are also the ones with the power to stop it. Resilience is not a single heroic gesture, but the sum of countless coordinated efforts: the only force capable of stopping the final tile from falling.

DEIANIRA D'ANTONI
Before It Falls
Every falling tile pulls an entire world down with it: a glacier, a forest, a wetland alive with frogs and dragonflies. Ecosystems are not isolated elements, but fragile balances defined by critical thresholds. Once these thresholds are crossed, they can trigger an irreversible chain of collapse. It was the hand of man that set this fall in motion. Yet among the wavering tiles, other hands hold, plant and rebuild—none acting alone. Those who triggered the collapse are also the ones with the power to stop it. Resilience is not a single heroic gesture, but the sum of countless coordinated efforts: the only force capable of stopping the final tile from falling.

DEIANIRA D'ANTONI

3位

Climate change and environmental destruction can often feel like events happening in distant places or in the far future. Yet they are already a reality. This work calls attention to the possibility that we, too, may one day lose our homes, just like the polar bears, and urges us to recognise the need for change.

MIZUKI IKUSHIMA
Climate change and environmental destruction can often feel like events happening in distant places or in the far future. Yet they are already a reality. This work calls attention to the possibility that we, too, may one day lose our homes, just like the polar bears, and urges us to recognise the need for change.

MIZUKI IKUSHIMA

優秀賞

( アルファベット順）

In this illustration, a fish is surrounded by pieces of fabric and other waste discarded into the sea. As this waste gradually breaks down, it releases harmful pollutants into the water, reducing water quality and damaging the marine ecosystem. Many marine animals also mistake this waste for food and ingest it, which can cause serious harm and, in some cases, lead to death. This artwork highlights the importance of protecting our oceans and reminds us of our responsibility to preserve the environment for the future.

AHLAM FAEZ
In this illustration, a fish is surrounded by pieces of fabric and other waste discarded into the sea. As this waste gradually breaks down, it releases harmful pollutants into the water, reducing water quality and damaging the marine ecosystem. Many marine animals also mistake this waste for food and ingest it, which can cause serious harm and, in some cases, lead to death. This artwork highlights the importance of protecting our oceans and reminds us of our responsibility to preserve the environment for the future.

AHLAM FAEZ
To combat rising temperatures, sometimes all it takes is a step back. Often, even planting a flower can make a difference …

ALDO GIANNINI
To combat rising temperatures, sometimes all it takes is a step back. Often, even planting a flower can make a difference …

ALDO GIANNINI
This work portrays a small, metaphorical world enclosed beneath a glass dome, suspended between two possible futures. Outside, pollution and the climate crisis continue to spread, while within, the possibility of harmony between humanity and nature remains alive.
At the centre, three symbolic figures—Sun, Wind, and Nature—embrace one another, representing the unity of natural forces and the potential of renewable energy.
This fragile world stands as a reflection of our own: its future is shaped by the choices we make today.

ATIYEH ZEIGHAMI
This work portrays a small, metaphorical world enclosed beneath a glass dome, suspended between two possible futures. Outside, pollution and the climate crisis continue to spread, while within, the possibility of harmony between humanity and nature remains alive.
At the centre, three symbolic figures—Sun, Wind, and Nature—embrace one another, representing the unity of natural forces and the potential of renewable energy.
This fragile world stands as a reflection of our own: its future is shaped by the choices we make today.

ATIYEH ZEIGHAMI
This illustration depicts animals from cold climates gathering in the frozen food section of a supermarket, using it as a temporary refuge from the heat. At first glance, the scene may appear heart-warming, yet it carries a subtle sense of irony: the frozen food section has become the coolest place they can find. Through this contrast, the work invites viewers to reflect on the effects of climate change.

AYAKA AKAKURA
This illustration depicts animals from cold climates gathering in the frozen food section of a supermarket, using it as a temporary refuge from the heat. At first glance, the scene may appear heart-warming, yet it carries a subtle sense of irony: the frozen food section has become the coolest place they can find. Through this contrast, the work invites viewers to reflect on the effects of climate change.

AYAKA AKAKURA
This illustration explores how the loss of biodiversity and our growing dependence on digital technology are reshaping the way we perceive nature. Guided by instinct, a hummingbird mistakes a flower displayed on a smartphone for a real one. In the second panel, the broken screen reveals the illusion, yet the absence of real flowers remains. The work reflects on how direct experiences of nature are increasingly being replaced by digital representations. Yet no digital image can ever replace the real ecosystems on which every species depends.

BRYAN ROY SUAREZ FIGA
This illustration explores how the loss of biodiversity and our growing dependence on digital technology are reshaping the way we perceive nature. Guided by instinct, a hummingbird mistakes a flower displayed on a smartphone for a real one. In the second panel, the broken screen reveals the illusion, yet the absence of real flowers remains. The work reflects on how direct experiences of nature are increasingly being replaced by digital representations. Yet no digital image can ever replace the real ecosystems on which every species depends.

BRYAN ROY SUAREZ FIGA
This artwork depicts the hands of people of different skin colours from around the world coming together to protect the ecosystem. By integrating low-carbon architecture, renewable energy and technology, it symbolises climate transition and innovation. The harmonious coexistence of diverse species and ethnic groups presents a vision of biodiversity protection and a just transition. The work emphasises the importance of collaboration in creating a more harmonious and sustainable future.

CHEN PI YU
This artwork depicts the hands of people of different skin colours from around the world coming together to protect the ecosystem. By integrating low-carbon architecture, renewable energy and technology, it symbolises climate transition and innovation. The harmonious coexistence of diverse species and ethnic groups presents a vision of biodiversity protection and a just transition. The work emphasises the importance of collaboration in creating a more harmonious and sustainable future.

CHEN PI YU
This illustration presents a museum in which nature itself has become an object of preservation. Extinct species are displayed alongside an empty showcase labelled “Clean Air,” symbolizing the growing loss of a fundamental element that sustains all life. The fingerprint-shaped map marked “You Are Here” places humanity at the centre of this environmental crisis, while also reflecting our responsibility for the changes taking place on Earth. The surrounding maze represents the complexity of human choices and the difficult path we have created for ourselves. Through these elements, the work invites viewers to reflect on the value of protecting nature before what is essential becomes something we can only remember.

DELNYA MOHAMMADI
This illustration presents a museum in which nature itself has become an object of preservation. Extinct species are displayed alongside an empty showcase labelled “Clean Air,” symbolizing the growing loss of a fundamental element that sustains all life. The fingerprint-shaped map marked “You Are Here” places humanity at the centre of this environmental crisis, while also reflecting our responsibility for the changes taking place on Earth. The surrounding maze represents the complexity of human choices and the difficult path we have created for ourselves. Through these elements, the work invites viewers to reflect on the value of protecting nature before what is essential becomes something we can only remember.

DELNYA MOHAMMADI
Title: The Inheritance
Before knowledge was written in books, it was passed from one generation to the next through observation, patience, and shared labour. Inspired by the enduring African tradition of apprenticeship, this work depicts a grandmother carefully mending a living tapestry woven from forests, rivers, fertile soil, clean water, and open skies, while her granddaughter learns quietly at her side. The Earth is never inherited in perfect condition; it is placed in the care of each generation to restore, protect, and pass on. Every stitch becomes both an act of healing and a lesson in hope, resilience, and shared responsibility.

IDOWU ESTHER OYEYEMI
Title: The Inheritance
Before knowledge was written in books, it was passed from one generation to the next through observation, patience, and shared labour. Inspired by the enduring African tradition of apprenticeship, this work depicts a grandmother carefully mending a living tapestry woven from forests, rivers, fertile soil, clean water, and open skies, while her granddaughter learns quietly at her side. The Earth is never inherited in perfect condition; it is placed in the care of each generation to restore, protect, and pass on. Every stitch becomes both an act of healing and a lesson in hope, resilience, and shared responsibility.

IDOWU ESTHER OYEYEMI
Not My Business portrays the cascading consequences of climate change and deforestation. As forests disappear, displaced wildlife is forced together into an ever-growing living sphere that rolls relentlessly towards human homes. Inside, people remain absorbed in their own comfort, relying on air conditioning while appreciating nature only as decoration on their walls. The work challenges the illusion that biodiversity loss is “someone else’s problem,” reminding us that the consequences of ignoring nature today will inevitably become part of our own future.

IRAWAN NUGRAHA
Not My Business portrays the cascading consequences of climate change and deforestation. As forests disappear, displaced wildlife is forced together into an ever-growing living sphere that rolls relentlessly towards human homes. Inside, people remain absorbed in their own comfort, relying on air conditioning while appreciating nature only as decoration on their walls. The work challenges the illusion that biodiversity loss is “someone else’s problem,” reminding us that the consequences of ignoring nature today will inevitably become part of our own future.

IRAWAN NUGRAHA
Using “haircutting” as a metaphor for the energy transition, giant shears cut away the smokestacks of thermal power plants, transforming their exhaust emissions into net-zero clouds. The cloudscape reveals the low-carbon greenery of urban farms, where photovoltaic and wind power generation are integrated with both land and water. Through agricultural-electricity symbiosis and fish-electricity symbiosis, the work envisions a shared path towards a low-carbon and sustainable future.

KU AN
Using “haircutting” as a metaphor for the energy transition, giant shears cut away the smokestacks of thermal power plants, transforming their exhaust emissions into net-zero clouds. The cloudscape reveals the low-carbon greenery of urban farms, where photovoltaic and wind power generation are integrated with both land and water. Through agricultural-electricity symbiosis and fish-electricity symbiosis, the work envisions a shared path towards a low-carbon and sustainable future.

KU AN
Learning from Our Mistakes imagines a future in which rising seas have reshaped not only our cities, but also our values. Built upon the remains of a former skyscraper, this vertical community transforms adaptation into a shared way of life. Rainwater is collected, wind powers daily life, and gardens weave through every level, connecting neighbours with one another and with nature. At its heart, a classroom reminds us that resilience begins with learning. By sharing knowledge, food, and care, this community suggests that our greatest response to climate change lies not only in innovation, but also in our ability to grow together.

MARIWENN LEFEBVRE
Learning from Our Mistakes imagines a future in which rising seas have reshaped not only our cities, but also our values. Built upon the remains of a former skyscraper, this vertical community transforms adaptation into a shared way of life. Rainwater is collected, wind powers daily life, and gardens weave through every level, connecting neighbours with one another and with nature. At its heart, a classroom reminds us that resilience begins with learning. By sharing knowledge, food, and care, this community suggests that our greatest response to climate change lies not only in innovation, but also in our ability to grow together.

MARIWENN LEFEBVRE
This artwork represents humanity’s journey from environmental destruction towards a more sustainable future. A stone bridge, engraved with symbols of renewable energy, nature, and stewardship, connects a polluted world to another filled with thriving ecosystems and biodiversity. People from different backgrounds cross the bridge together, expressing the idea that addressing climate change is a shared responsibility. By protecting nature, embracing sustainable solutions, and respecting the planet’s limits, the work suggests that a healthier future can only be achieved through collective action and a commitment to leaving a better world for generations to come.

MARY VONGKAT
This artwork represents humanity’s journey from environmental destruction towards a more sustainable future. A stone bridge, engraved with symbols of renewable energy, nature, and stewardship, connects a polluted world to another filled with thriving ecosystems and biodiversity. People from different backgrounds cross the bridge together, expressing the idea that addressing climate change is a shared responsibility. By protecting nature, embracing sustainable solutions, and respecting the planet’s limits, the work suggests that a healthier future can only be achieved through collective action and a commitment to leaving a better world for generations to come.

MARY VONGKAT
This artwork symbolically explores how art and sustainable living can work together in response to environmental challenges. A girl rides a bicycle away from a smoke-filled, polluted city towards a brighter future, representing hope and positive change. Her bicycle represents clean and sustainable transportation, while the cat and heart-shaped sprouts suggest harmony between humans and nature. From her backpack, paintbrushes and flowing colours spill outward, transforming the grey city into a vivid landscape of blossoms, birds, and greenery. The artwork expresses the power of art to awaken environmental awareness, inspire responsible choices, and envision a healthier, more sustainable future for all.

MARZIEH TORAJI
This artwork symbolically explores how art and sustainable living can work together in response to environmental challenges. A girl rides a bicycle away from a smoke-filled, polluted city towards a brighter future, representing hope and positive change. Her bicycle represents clean and sustainable transportation, while the cat and heart-shaped sprouts suggest harmony between humans and nature. From her backpack, paintbrushes and flowing colours spill outward, transforming the grey city into a vivid landscape of blossoms, birds, and greenery. The artwork expresses the power of art to awaken environmental awareness, inspire responsible choices, and envision a healthier, more sustainable future for all.

MARZIEH TORAJI
When humanity turns to advanced technologies and planetary interventions to address the climate crisis, can we foresee all of their consequences?
This artwork imagines a future in which space mirrors are deployed to reflect sunlight and regulate Earth’s climate. Suspended above the planet, an astronaut represents humanity itself—observing and attempting to control the systems that sustain life. The layered Earth reveals how deeply interconnected these systems are, and how an intervention intended to cool the planet could also produce unintended consequences. The mirrors embody humanity’s power to intervene on a planetary scale. Ultimately, the work asks: Can we control nature without disturbing the balance we seek to protect?

MOHADESEH AL SADAT KHADEMOL HOSSEINI
When humanity turns to advanced technologies and planetary interventions to address the climate crisis, can we foresee all of their consequences?
This artwork imagines a future in which space mirrors are deployed to reflect sunlight and regulate Earth’s climate. Suspended above the planet, an astronaut represents humanity itself—observing and attempting to control the systems that sustain life. The layered Earth reveals how deeply interconnected these systems are, and how an intervention intended to cool the planet could also produce unintended consequences. The mirrors embody humanity’s power to intervene on a planetary scale. Ultimately, the work asks: Can we control nature without disturbing the balance we seek to protect?

MOHADESEH AL SADAT KHADEMOL HOSSEINI
Inspired by the camel’s hump as a symbol of evolutionary adaptation and the resilience of flamingos, this artwork reimagines the bird as an architect of survival. Its puzzle-shaped body reflects the interconnectedness of life, while the diatom within symbolises nourishment and the delicate balance of aquatic ecosystems.
Although flamingos typically lay a single egg and raise one chick, this mother nurtures many, becoming a symbol of collective responsibility and care. The green puzzle piece held in her beak represents a vital element of survival—carrying nourishment and hope for future generations. Like an unfinished puzzle, an ecosystem can only flourish through protection, repair, and collective care.

NAJMEH DELARA
Inspired by the camel’s hump as a symbol of evolutionary adaptation and the resilience of flamingos, this artwork reimagines the bird as an architect of survival. Its puzzle-shaped body reflects the interconnectedness of life, while the diatom within symbolises nourishment and the delicate balance of aquatic ecosystems.
Although flamingos typically lay a single egg and raise one chick, this mother nurtures many, becoming a symbol of collective responsibility and care. The green puzzle piece held in her beak represents a vital element of survival—carrying nourishment and hope for future generations. Like an unfinished puzzle, an ecosystem can only flourish through protection, repair, and collective care.

NAJMEH DELARA
This artwork transforms endangered wildlife into collectable toys displayed inside a retail cabinet, symbolising the commercialisation of nature and humanity’s role in the loss of biodiversity. Marketing phrases such as “Limited Edition,” “Sold Out,” and “Out of Stock” emphasise the growing rarity of wildlife caused by habitat destruction, pollution, climate change, and exploitation. The mother and child represent future generations who may one day encounter these animals only through replicas. Ultimately, the work asks, “How many more do we have to lose before we realise?” and urges society to choose conservation over profit before more species become fragments of memory.

ORVEN MARANTAN
This artwork transforms endangered wildlife into collectable toys displayed inside a retail cabinet, symbolising the commercialisation of nature and humanity’s role in the loss of biodiversity. Marketing phrases such as “Limited Edition,” “Sold Out,” and “Out of Stock” emphasise the growing rarity of wildlife caused by habitat destruction, pollution, climate change, and exploitation. The mother and child represent future generations who may one day encounter these animals only through replicas. Ultimately, the work asks, “How many more do we have to lose before we realise?” and urges society to choose conservation over profit before more species become fragments of memory.

ORVEN MARANTAN
This artwork imagines a future in which nature exists only within museums. The extinct tree, bee, polar bear, river, and other species symbolise the consequences of failing to protect our environment. It invites viewers to reflect on the loss of biodiversity, to feel a sense of responsibility and urgency, and to recognise that we still have the chance to act before this imagined future becomes reality.

SAEED AKHLAGHI
This artwork imagines a future in which nature exists only within museums. The extinct tree, bee, polar bear, river, and other species symbolise the consequences of failing to protect our environment. It invites viewers to reflect on the loss of biodiversity, to feel a sense of responsibility and urgency, and to recognise that we still have the chance to act before this imagined future becomes reality.

SAEED AKHLAGHI
At first glance, this painting appears to depict a beautiful blue landscape. Yet beneath the surface, cities and lives are being devastated by rising sea levels caused by global warming. In order to make a lasting impression, I portrayed the contradiction between outward beauty and the harsh reality.

TOMOMI MIURA
At first glance, this painting appears to depict a beautiful blue landscape. Yet beneath the surface, cities and lives are being devastated by rising sea levels caused by global warming. In order to make a lasting impression, I portrayed the contradiction between outward beauty and the harsh reality.

TOMOMI MIURA
The Sea We Left Behind, 130 × 97 cm, oil on canvas, sequins, 2026

A girl carrying numerous floats runs uphill towards the place where the water should be. But the sea has vanished, leaving behind a winding, seemingly endless landscape that resembles the surface of an unknown planet. These striking symbols of the summer vacation become an emblem of consumer society, which continues to pursue its desires even as the world around us changes irreversibly. The work explores the discrepancy between expectation and reality and raises the question of what kind of world we will leave to future generations.

VIKTORIIA UDALOVA
The Sea We Left Behind, 130 × 97 cm, oil on canvas, sequins, 2026

A girl carrying numerous floats runs uphill towards the place where the water should be. But the sea has vanished, leaving behind a winding, seemingly endless landscape that resembles the surface of an unknown planet. These striking symbols of the summer vacation become an emblem of consumer society, which continues to pursue its desires even as the world around us changes irreversibly. The work explores the discrepancy between expectation and reality and raises the question of what kind of world we will leave to future generations.

VIKTORIIA UDALOVA
In "Path of Sunlight", a young cyclist moves through the shadow of a smog-filled city, surrounded by heavy traffic and towering buildings. Within this bleak environment, only her path is illuminated by sunlight. The rabbit nestled in her hood and the flowerpot carried behind her symbolise a gentle coexistence between urban life and nature. By choosing a bicycle over cars, she shows that resilient communities can begin with individual choices. Even in the darkest times, small and conscious actions can illuminate the way forward.

ZAHRA MOZAFAR
In "Path of Sunlight", a young cyclist moves through the shadow of a smog-filled city, surrounded by heavy traffic and towering buildings. Within this bleak environment, only her path is illuminated by sunlight. The rabbit nestled in her hood and the flowerpot carried behind her symbolise a gentle coexistence between urban life and nature. By choosing a bicycle over cars, she shows that resilient communities can begin with individual choices. Even in the darkest times, small and conscious actions can illuminate the way forward.

ZAHRA MOZAFAR
アニメーションカテゴリー

優勝

The future is shaped by the actions of every individual, no matter how small. Unlike previous generations, the next generation may experience the impacts of climate change more directly and profoundly. Through awareness, responsibility, and even the smallest meaningful actions, they have the power to become a source of hope and to help shape a more sustainable future for our planet.

MAHDI JALILI KIA
The future is shaped by the actions of every individual, no matter how small. Unlike previous generations, the next generation may experience the impacts of climate change more directly and profoundly. Through awareness, responsibility, and even the smallest meaningful actions, they have the power to become a source of hope and to help shape a more sustainable future for our planet.

MAHDI JALILI KIA

2位

Environmental destruction and human conflict can often feel too overwhelming for any one person to change. This story is told through the eyes of a child who loses the world he once knew. A familiar tree stands as a silent witness to the devastation. Turning the clock back symbolizes humanity’s ability to change course before it is too late. The final sprout reminds us that even the smallest action can mark the beginning of recovery—if we choose to act while there is still time.

MARIA KUZMINYKH
Environmental destruction and human conflict can often feel too overwhelming for any one person to change. This story is told through the eyes of a child who loses the world he once knew. A familiar tree stands as a silent witness to the devastation. Turning the clock back symbolizes humanity’s ability to change course before it is too late. The final sprout reminds us that even the smallest action can mark the beginning of recovery—if we choose to act while there is still time.

MARIA KUZMINYKH

3位

Receipts, everyday symbols of consumption, are often discarded without a second thought. As they accumulate, they darken, turn into heat, and slowly begin to surround the Earth. What seems like a small and insignificant act becomes part of a much larger environmental cycle. The work reflects on how ordinary choices, repeated countless times across society, can collectively contribute to climate change. It asks us to reconsider the idea of waste: does what we throw away ever truly disappear, or does it return in another form, gradually reshaping the world we live in?

HIROMI UENO
Receipts, everyday symbols of consumption, are often discarded without a second thought. As they accumulate, they darken, turn into heat, and slowly begin to surround the Earth. What seems like a small and insignificant act becomes part of a much larger environmental cycle. The work reflects on how ordinary choices, repeated countless times across society, can collectively contribute to climate change. It asks us to reconsider the idea of waste: does what we throw away ever truly disappear, or does it return in another form, gradually reshaping the world we live in?

HIROMI UENO

受賞者の皆様、おめでとうございます。主催より当選者の方へ受賞のお知らせメールをお送りいたします。詳しくは規約をご覧ください。

大会詳細

意義あるイノベーションで持続可能な未来へ

世界的な変動が続く時代において、サステナビリティは長期的なレジリエンスの基盤となっています。現時点において、その焦点は現実世界の変革と環境保全を推進する積極的な解決策へと移りつつあります。この移行期を乗り越えるためには、私たちが資源をどのように管理し、自然環境をどのように守っていくのかを改めて見直す必要があります。共にこの課題に向き合うことで、次世代を支える持続的な価値を創出することができると考えます。

Art on Climate インターナショナル・イラストレーション・コンテストは、Fingertips Company Limitedが主催し、Allianz Global Investors（AllianzGI）が後援する共同プロジェクトです。本コンペティションの目的は、気候変動への戦略を、心に訴えかける力強いビジュアル・ストーリーへと昇華させることにあります。気候変動をテーマに、イラストレーターや映像クリエイターを全世界から募集し、革新的なアイデアや現実社会での解決策を発信する国際的な発信の場を提供します。この創造的な視点を通じて、人々が単なる認識にとどまらず、自らの生活の中で具体的な行動を起こすきっかけとなることを目指しています。

テーマ： 気候変動
参加資格： 18歳以上*の方であれば、国・地域を問わず参加可能です。
応募期間︰ 2026年5月18日～7月31日
結果発表︰ 2026年9月30日までに発表
賞金︰ 最大2000ユーロ*
費用︰ エントリー費用はかかりません

* 詳細は規約をご覧ください。

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大会のテーマ

2019年にスペインで始まったArt on Climate インターナショナル・イラストレーション・コンテストは、地域プロジェクトとしてスタートし、現在では世界的なムーブメントへと成長を遂げました。この7年間で、このコンテストは世界中のクリエイターが環境保護の緊急性を表現するための大きなプラットフォームへと成長しています。その勢いは2025年に最高潮を迎え、世界100以上の地域から2,600人を超えるイラストレーターが参加し、3,500点以上のアート作品や映像が寄せられるなど、過去最多のエンゲージメントを記録しました。今後も本コンペティションはアジア太平洋地域へとその輪を広げ、プロフェッショナルから新進気鋭のアーティストまで、多様な才能が創造的な表現を通じて気候変動へのアクションを起こす場を提供していきます。

サステナブル投資の分野で20年以上にわたりリーダーシップを発揮してきたアリアンツGIは、ESG統合の先駆者から、世界的な気候変動への移行を推進する担い手へと進化してきました。2007年には国連責任投資原則（UN PRI）の初期署名機関として参加し、単にサステナビリティを投資判断に組み込むだけでなく、持続可能で強靭な未来を支えるソリューションへの資金提供を積極的に行っています。現在の私たちの使命は、「リアルワールド・インパクト」の創出であり、アクティブ・スチュワードシップとインパクト投資を通じて、お客様とグローバルコミュニティ双方に長期的な価値をもたらすことを目指しています。持続可能な未来への道筋を共に描き、形作っていくため、「Art on Climate」コンペティションへのご参加を心よりお待ちしております。

大会のテーマ

“気候変動” をテーマにしたオリジナル作品を募集します。参加者は、作品制作の出発点として、以下のトピックのうち1つ以上からインスピレーションを得てください：

  1. レジリエントなコミュニティに向けた気候変動への移行を推進する
    気候変動は、もはや遠い将来のリスクではなく、今すぐに行動が求められる世界的な転換点となっています。長期的に社会を支えていくためには、問題を指摘するだけでなく、より安定したコミュニティを育む解決策に資金を投じ、実行していくことが不可欠です。本テーマでは、気候変動という課題を、持続的な成長や地域の強さにつなげる機会へと転換し、この「正念場」をどのように乗り越えていけるのかを探ります。
  2. 地球環境の限界を考慮し、生物多様性を守る
    持続可能な環境を維持するためには、地球が持つ環境的な許容範囲の中で活動していくことが不可欠です。本テーマでは、私たちの暮らしを支える自然の価値を守り、生物の多様性が失われていく流れを食い止め、回復へとつなげることを目指します。地球環境に負荷をかけない範囲で取り組むことで、低炭素社会への移行と自然環境の保全を両立させることが可能であるとともに、自然と人間社会が調和し、共に豊かに発展していける未来を目指すことができます。
  3. 公平性を重視した持続可能な経済の推進
    持続的な価値を生み出すためには、環境への取り組みが一部の人だけの負担にならないことが重要です。脱炭素の流れが社会の不安定さを招くのではなく、むしろ人々の暮らしや雇用を支えるものとなる必要があります。本テーマでは、経済的な成果と社会への配慮を両立させながら、グリーン経済への移行がすべての人にとって前向きな変化となるあ方法を探ります。サステナブル投資が、環境だけでなく社会の公平性にも寄与し、より良い社会づくりを後押しする未来を、創造的な視点で描いていただくことを期待しています。
  4. 実社会にインパクトをもたらすイノベーションとテクノロジーへの投資
    テクノロジーとイノベーションは、持続可能なグローバル経済を実現するための重要な原動力です。革新的な環境ソリューションに資金を振り向けることで、世界の脱炭素化をより速いスピードで進めることができます。本テーマでは、実効性のあるイノベーションが、現在の気候変動という現実と、ネットゼロの未来との間をどのようにつないでいけるのか、その役割に焦点を当てます。
  5. 持続可能な未来のための団結
    持続可能な未来を実現するためには、一人ひとりの努力だけでは不十分であり、世界全体としての連帯した取り組みが欠かせません。投資判断や企業のガバナンス、そして私たちの日々の行動を同じ方向にそろえることで、地球を守るために必要な社会全体の変化を生み出すことができます。本テーマでは、そうした「共に責任を担う力」にスポットを当て、次世代に向けた豊かで安定した未来を築いていく可能性を探ります。
条件・要項等
  • 本大会のテーマに関連したオリジナル作品であり、個人で応募したものに限ります。
  • 応募可能なイラストレーション作品とアニメーション動画の数は、それぞれ1人3点までです。
  • 応募作品は、過去に公表されたもの、または他の目的で使用されたものであってはならず、また、過去に他のコンペティションで受賞していないこと、または現在、他のコンペティションの選考に参加していないことが条件となります。
  • 応募作品には、参加者を特定する署名、文字、記号、絵、ナレーション（アニメーションの場合）を入れることはできません。
  • 各作品には簡単な説明文（30文字以上100文字以内）をご添付下さい。

イラストレーションカテゴリー

  • 作品は平面作品でカラーであること。
  • 作成はペインティングだけでなくコンピューターソフトウェアを活用した制作、ミクストメディアなど、媒体は問いません。ただし、人工知能によって生成された作品は受け付けません。また、写真やクリップアートの使用は禁止とさせて頂きます。
  • A3サイズ（297mm×420mm）の横型または縦型でご作成下さい。
  • アップロードはJPG形式、解像度300dpi以上、サイズ10MB以内となります。

アニメーションカテゴリー

  • アニメーションの長さは10秒から15秒であること。
  • アスペクト比は9:16（縦長、最低解像度1080X1920ピクセル）または1:1（正方形、最低解像度1080X1080ピクセル）であること。
  • MP4またはMOV形式でアップロードし、各アニメーションのファイルサイズは合計30MB以内であること。
  • オリジナル作品であれば、制作手法やツールは問いません。
  • BGMは推奨されますが、著作権上問題のないものだけを利用下さい。
  • 音声ナレーションは禁止です。動画内のテキスト（キャプション、字幕を含むがこれらに限定されない）はすべて英語で表示する必要があります。
審査員
Mr. Jeff Jioe
Director
Fingertips Company Limited

Fingertips Company Limitedの創設者であり、「Art on Climate」インターナショナル・イラストレーション・コンテストの主催者です。

Mr. Jay Chau
Chairman
Asian Art Association Singapore

Jay Chau氏は、シンガポール・アジアン・アート・アソシエーションの会長を務めています。シンガポール国立大学リー・クアンユー公共政策大学院の修了生であり、NetEaseやTencentでの勤務を経て、現在は、文化政策、都市美学、そしてアートと公共生活の関係性を主な研究・活動テーマとしています。

Mr. Benny Lau
Professional Member
Hong Kong Society of Illustrator

Benny Lau氏は、数々の受賞歴を持つデザイナーであり、イラストレーターおよび絵本作家としての豊富な経験と、幅広い分野での実績を重ねてきました。

また、学校でのゲスト講師としても頻繁に登壇し、ビジュアルアートとストーリーテリングを通じて新しい学びのアプローチを提唱しています。最新作『Sadhu The Retriever』は、ボローニャ・ラガッツィ賞 Amazing Bookshelf 2025 に選出されました。

Mr. Liu Ray Lung
Chairman
Taiwan Society of Illustrators

Liu Ray Lung氏は、台湾イラストレーター協会およびアジアイラストレーション協会の会長を務める台湾の著名なイラストレーターであり、イラストレーション文化の普及と発展に尽力しています。2015年からアジア・イラストレーション・アニュアル・アワードの統括責任者を務め、同アワードは、これまでに台北の華山クリエイティブパークをはじめ、台中、台南、桃園、神戸、クアラルンプール、上海など毎年アジア各地で開催されています。現在では、アジア最大級のイラストレーションイベントとして成長。現在では、同アワードはアジア有数の規模を誇るイラストレーション業界のイベントへと成長しています。

Ms. Jane Liu
Founder
Z Jane Visual Art Studio

Jane Liu氏は、ファンタジーの世界を描き出すことを得意としたイラストレーターであり、上海を拠点にジェーンが設立した Z Jane Visual Art Studio では、広告イラストレーション、キービジュアル、コンセプチュアルイラストレーションなどのイラストレーションデザインを中心に手がけています。また、イラストを軸としたブランドビジュアルデザインにも注力しています。

選考基準
イラストレーションカテゴリー
50点
作品の妥当性と芸術性
40点
大会のテーマとの関連性
10点
創造的な言語
アニメーションカテゴリー
40点
作品の妥当性と芸術性
40点
大会のテーマとの関連性
10点
技術力
10点
創造的な表現力
表彰と展示

受賞者には、賞状がEメールで送られます。

入賞作品は、バーチャル展覧会で公開されます。

イラストレーションカテゴリー#
x1
優勝
e-賞状と賞金2,000ユーロ
x1
2位
e-賞状と賞金1,500ユーロ
x1
3位
e-賞状と賞金1,000ユーロ
x20
優秀賞
e-賞状と賞金150ユーロ
アニメーションカテゴリー^
x1
優勝
e-賞状と賞金2,000ユーロ
x1
2位
e-賞状と賞金1,500ユーロ
x1
3位
e-賞状と賞金1,000ユーロ

# 審査員が100点満点で評価し、23点の入賞作品を決定します。その中で上から順に得点の高い3作品が優勝、2位、3位となり、その他の入賞作品20点は優秀賞となります。

^ 審査員が100点満点で評価し、3点の入賞作品を決定します。その中で上から順に得点の高い3作品が優勝、2位、3位となります。



今すぐ作品をアップロードする

ご質問は主催者にご連絡ください。

Fingertips Company Limited: artonclimate@fingertips.hk

利用規約
  1. 参加者は、応募フォーマットに事実かつ正確な情報を提供しなければなりません。Fingertips Company Limited（以下”主催者”）は、提供された情報が不正確または省略されていると判断した場合、応募を失格とする権利を留保します。
  2. 参加資格は、2026年5月17日時点で18歳以上であることです。
  3. Allianz Global Investors Asia Pacific Limitedおよび/またはその関連会社、主催者および/またはその関連会社の従業員、およびこれらの従業員と同一世帯人は、本大会に参加することができません。
  4. 応募作品は、オリジナル作品かつ個人で応募したものであり、いかなる場合にも未発表であることが必要です。主催者が盗作、著作権侵害、法令違反と判断した場合、失格となります。
  5. 危険、下品、不快、わいせつ、違法、人種差別、ポルノ、暴力、中傷、名誉毀損、不適切、論争的、または政治的利益を促進する素材を含む場合、主催者が単独かつ絶対的裁量で判断し、失格となります。
  6. 本コンテストへの参加は、参加者自身の責任で行うものとします。主催者は、法律で認められる範囲において、大会および/または賞品の受領に起因して、または関連して参加者または第三者が被る損害、損失、責任、コスト、経費または請求（契約、不法行為、その他のいずれであっても）に対して一切の責任を負わないものとします。
  7. 応募費用はかかりません。ただし、作品の準備や応募にかかる費用は、参加者の負担となります。
  8. 応募は1人イラストレーション3点とアニメーション３点まで可能ですが、受賞の権利は1点のみとなります。追加または期限に間に合わなかった作品の応募は受け付けません。
  9. 応募後の作品の差し替えは、いかなる場合も認められません。
  10. 応募書類に不備がある場合、判読できない場合、誤送の場合、または応募期限に間に合わなかった場合は受け付けられません。送付を証明するいかなるものも、送付証明としては認められません。応募作品の不備、技術的な理由による紛失、破損、遅延、誤配、または理由の如何を問わず受信されなかった場合、主催および関係会社はいかなる責任も負いません。
  11. 参加者が上記の条件を回避するために、複数の電子メールアカウント、複数の複製またはコンピューター生成による応募、複数のIDの使用、データの不正な改ざん、主催者の見解に基づく不正または不誠実な行動、または本条件に違反する行動などの手段を使用していることが判明した場合、これらの参加者は失格となり、受賞資格は無効となります。
  12. 本大会の結果は、審査委員会の最終判断に委ねられます。参加者による異議申し立ては受け付けられません。主催者は、単独かつ絶対的な裁量で、参加者または作品の資格を取り消す権利および受賞を撤回する権利を有します。
  13. 大会の結果は2026年9月30日までに発表され、主催者は参加者がエントリー時に提供した電子メールアドレスを通じて、当選者に電子メールで通知します。参加者は、主催者が参加者に連絡する唯一の手段であるため、有効な電子メールアドレスを提供する必要があります。参加者はメール受信箱（迷惑メールおよびスパムメールフォルダを含む）を確認する必要があります。
  14. 賞品はユーロ建ての現金で、当選者の銀行口座に振り込まれます。主催者が電子メールで当選者の通知を送信した後、当選者は主催者の電子メールの日付から1カ月以内に次の情報を主催者に提供する必要があります：本人確認資料のコピーと、当選者が口座名義人である銀行口座の詳細。当選者がこの期間内に必要な情報を提供しなかった場合、当該当選者は賞品に対する権利を放棄したものとみなされ、主催者は賞品受領の権利を撤回する権利を留保します。主催者がすべての必要な情報を受領した後、賞金は2週間以内に上記の銀行口座に送金されます。
  15. 当選者は、賞品の受領のための情報を提供する際に、正確かつ最新の情報を提供する責任を負います。主催者またはスポンサーは、当選者が正確な情報を提供せず、賞品の受領または配送に影響を及ぼした場合、一切の責任を負いません。
  16. 賞金はユーロ建てで送金されます。当選者は、賞金を受け取るために、ユーロ建ての銀行口座の詳細を提供する必要があります。そうでない場合、ユーロ建ての賞金は、送金日に適用される為替レートで当選者の銀行口座の通貨に変換されるため、為替レートの変動、税金、その他の適用される手数料を始めとする費用の対象となる可能性があります。
  17. 主催者は送金手数料を負担し、当選者は、その他の関連手数料および税金、口座保有銀行が請求する費用、および銀行の所在地における関連金融手続きから生じるその他の費用がある場合は、それを負担するものとします。主催者は、送金手続きが完了した時点で当選者に通知しますが、当選者が賞金を受け取る時期は、口座保有銀行の管理手続きおよび特定の場所で運用される金融手続きに従う可能性があります。
  18. 主催者は、当選者を確認し、身元、年齢、住所および参加者が提供したその他の情報の証明を求め、本規約の違反があったとみなされる合理的な根拠がある場合には賞品の受領資格を取り消す権利を留保します。
  19. 主催者、スポンサーおよびその関連会社は、応募作品の全部または一部を、参加者の同意やいかなる料金の支払いもなく、プロモーション、展示、教育目的など、いかなる形でも複製、公表、利用する権利を有するものとします。
  20. 参加者は、作品が氏名および簡単な説明とともに、バーチャル展示会に一般公開されることに同意するものとし、それに対する対価は支払われません。
  21. 大会に参加することにより、各参加者は、主催者、スポンサーおよびその関連会社に対し、作品の内容に含まれる知的財産を（全部または一部）使用、複製、修正、翻案、出版または表示するための世界的、永久的、取消不能、非独占的、譲渡可能、使用料不要、サブライセンス可能な権利およびライセンスを、使用料、報酬等の支払いまたはその他の補償なしに許諾するものとします。各参加者は、かかる使用に関して著作者人格権を主張しないことに同意し、かかる権利を付与する完全な権限を有することを保証するものとします。
  22. 主催者は、事前に通知することなく、規則および本コンテストの諸条件を解釈および修正する権利を留保します。
  23. 応募者は、作品を提出した時点で、本コンテストの規約に従うことに同意したものとします。
  24. 主催者が収集するすべての個人情報は、参加者への連絡や賞品の配布など、本コンテストの目的のみに使用されます。これらの情報（参加者の個人情報を含む）は、大会終了後、主催者が6ヶ月間保管し、その後削除されるものとします。
  25. 主催者の合理的な支配を超える行為、不作為、事象または状況が発生し、主催者が本規約を遵守できない場合、主催者はその義務の不履行または遅延について責任を負わないものとします。
  26. 主催者は、エントリーの受信および／または当選者への通知や賞品の送付の中断、遅延または失敗につながる可能性のあるシステムエラーまたはその他の問題に対する責任を負わないものとします。
  27. 本規約のいずれかの条項が違法、無効またはその他執行不能であると判断された場合、その条項は本規約から分離され削除されるものとし、残りの条項は完全に有効であり、存続するものとします。
  28. 主催者およびスポンサーは、不測の事態または合理的な支配の及ばない技術的理由が発生した場合、このコンテストをキャンセル、修正、撤回、終了または中断する権利を有し、応募者および第三者に対していかなる責任も負わないものとします。
  29. 本規約は、その他のコミュニケーション（広告または販売促進資料を含むがこれに限定されない）との間に矛盾が生じた場合に優先して適用されます。参加者は、本規約を受諾し、これに拘束されるものとみなされます。
  30. 本規約の英語版と翻訳版の間に矛盾がある場合は、英語版が優先されます。
  31. コンテストに関して、または大会に起因する紛争（本規約の解釈および適用に関する紛争を含むがこれに限定されない）が生じた場合、主催者の決定が最終的、決定的、かつ拘束力を持つものとする。
  32. 本コンテストおよび本規約、ならびにそこから生じるすべての紛争は、香港の法律および香港の裁判所の非専属的裁判管轄権に従うものとします。


Terms and conditions
  1. Participants must provide true and accurate information on the entry form. Fingertips Company Limited (the “Organiser”) reserves the right to disqualify any entries in cases where, in our opinion, any information provided is inaccurate or has been omitted.
  2. To be eligible for participation, participants must be aged 18 or above as of 18 May 2025.
  3. Employees of Allianz Global Investors Asia Pacific Limited (the “Sponsor”) and/ or its affiliates, the Organiser and/ or its affiliates, and all those living in the same households as those employees are not eligible to participate in the competition.
  4. All entries must be original, submitted on an individual basis, and have not been previously published on any occasion. An entry will be disqualified if the participant is considered by the Organiser to have committed plagiarism, infringement of copyrights and/or violation of any laws.
  5. Any entries that the Organiser considers, in its sole and absolute discretion, that it contains material that is dangerous, vulgar, offensive, indecent, obscene, illegal, racist, pornographic, violent, defamatory, disparaging, inappropriate, controversial or that promotes political interests will be disqualified.
  6. Entry into the competition is at the participant’s sole risk. To the extent permitted by law, none of the Organiser and the Sponsor accepts any responsibility for any damage, loss, liabilities, costs, expenses or claims (whether in contract, tort or otherwise) suffered by participants or any third parties arising out of or in connection with the competition and/or accepting a prize.
  7. No entry fee is required. However, participants are solely responsible for all expenses incurred in preparing and submitting their work(s).
  8. Each participant may submit up to a maximum of three (3) illustrations and three (3) animated videos, but would only be entitled to one of the prizes. Additional or late entries will not be accepted.
  9. No substitution of work will be allowed under any circumstances once the entry has been submitted to the competition.
  10. Incomplete, illegible, misdirected or late entries will not be accepted. Proof of sending will not be accepted as proof of delivery or receipt. No responsibility can be accepted for entries that are incomplete, lost due to technical reasons, corrupted, delayed, wrongly delivered, or not received for whatsoever reason.
  11. If it becomes apparent that a participant is using any means to circumvent the above conditions such as, and without limitation, multiple email accounts, multiple reproduced or computer-generated entries, using multiple identities, fraudulently falsifying data, acting fraudulently or dishonestly in the opinion of the Organiser or otherwise acting in violation of these Terms and Conditions, these participants will be disqualified, and any prize entitlement will be void.
  12. The results of the competition are subject to the final decision of the panel of judges. No objections by participants will be entertained. The Organiser retains the right at its sole and absolute discretion to revoke the participants’ or their works’ qualifications and/or withdraw their prizes.
  13. The result of the competition will be announced by 30 September 2025 and the Organiser will notify the winners by email via the email address provided by the participant at the point of entry. Participants must provide a valid email address as this is the sole channel for the Organiser to contact the participants. Participants should check their email inbox (including the junk and spam mail folders).
  14. The prize will be presented in form of cash in Euro by wiring to the winners’ bank account. Once the Organiser has sent out notifications of prize-winners by email, the winners need to provide the following information to the Organiser within one (1) month from the date of the Organiser’s email: a copy of their identification document together with the bank account details of an account where the winners are the sole account holders. If a winner fails to provide the required information within this timeframe, such winner will be deemed to have waived the entitlement to the prize and the Organiser reserves the right to withdraw prize entitlement. Once the Organiser has received all the required information, the cash prize will be remitted to the bank account mentioned above within 2 weeks.
  15. It is the responsibility of a winner to provide correct, up-to-date details when providing their information for the acceptance of the prize. None of the Organiser or the Sponsor can be held responsible for any winners failing to supply accurate information which affects prize acceptance or delivery of their prize.
  16. The cash prize will be issued in Euros. Winners should provide details of their bank account denominated in Euro to receive the cash prize. Otherwise, the cash prize in Euros will be converted into the denominating currency of the winners’ bank account at the exchange rate applicable on the date of the remittance and may therefore be subject to exchange rate fluctuations, taxes and other applicable fees and charges.
  17. The Organiser will be responsible for all remittance fees, while the winners will be responsible for, if any, other relevant fees and taxes, derivative costs charged by the account holding bank and other charges arising from the relevant financial procedures in the location of the bank. The Organiser will notify winners when the remittance process has been completed, but the time at which winners receive their cash prize may be subject to the administration process of the account holding bank and the financial procedures operating in their specific locations.
  18. The Organiser reserves the right to verify winners and ask for proof of identity, age, address and other information provided by the participants and to withdraw prize entitlement where there are reasonable grounds to believe there has been a breach of these Terms and Conditions.
  19. The Organiser, the Sponsor and their affiliates reserve the right to copy, publicise or make use of the submitted works in full or in part and in any form, including but not limited to promotion, exhibition, education purposes, without the consent of the participants or payment of fees of any kind.
  20. Participants agree that their works may be put on display in a virtual exhibition for public viewing, together with their names and the short description provided without any fee being payable.
  21. By entering the competition, each participant grants the Organiser, the Sponsor and their affiliates a world-wide, perpetual, irrevocable, non-exclusive, transferable, royalty free and sub-licensable right and licence to use, reproduce, modify, adapt, publish or display (in whole or in part) any intellectual property contained in the content of their works, without royalty, payment or other compensation. Each participant agrees not to assert any moral rights in relation to such use and warrants that they have full authority to grant such rights.
  22. The Organiser reserves the right to interpret and amend the rules, and the Terms and Conditions of the competition, without prior notice.
  23. Upon submission of entries, participants agree to abide by the Terms and Conditions of the competition.
  24. All information collected by the Organiser is for the purpose of the competition only, including but not limited to, contacting participants and distributing prizes. The information (including the personal information of participants) will be kept for six (6) months by the Organiser after the end of the competition, after which it will be deleted.
  25. If an act, omission, event or circumstance occurs which are beyond the reasonable control of the Organiser and which prevents the Organiser from complying with these Terms and Conditions, the Organiser will not be liable for any failure to perform or delay in performing its obligation.
  26. The Organiser accepts no responsibility for system errors or other issues that may result in disruption to, delay or failure in receiving entries and/or sending notifications or prizes to winners.
  27. If any clause of these Terms and Conditions should be determined to be illegal, invalid or otherwise unenforceable then it shall be severed and deleted from these Terms and Conditions and the remaining clauses shall survive and remain in full force and effect.
  28. The Organiser and the Sponsor reserves the right to cancel, amend, withdraw, terminate or temporarily suspend this competition in the event of any unforeseen circumstances or technical reason outside their reasonable control, with no liability to any applicants or third parties.
  29. These Terms and Conditions prevail in the event of any conflict or inconsistency with any other communications, including without limitation, advertising or promotional materials. Participants will be deemed to have accepted and be bound by these Terms and Conditions.
  30. In the event of any inconsistency between the English and translated versions in these Terms and Conditions, the English version will prevail.
  31. In the event of any dispute in respect of or arising from the Competition (including without limitation, dispute concerning the interpretation and application of these Terms and Conditions), the decision of the Organiser will be final, conclusive, and binding.
  32. The competition and these Terms and Conditions, and any disputes arising therefrom, shall be subject to Hong Kong law and the non-exclusive jurisdiction of the Hong Kong courts.

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